Skip to content

Demo: This is a demo template by Ruji Labs. The business, people, products, prices and reviews on this page are fictional and do not represent any real company.

Liyana Kassim

Series 01 of 04
6 plates, colour
2023 to 2024

Tidewater

Fourteen dawns on the Matang coast, where the forest is half land and half sea.

Location
Kuala Sepetang and Kuala Gula, Perak
Made
14 mornings, March 2023 to February 2024
Camera
Medium format, 80 mm lens, tripod
Light
Between 06:40 and 07:30, falling tide
  1. A narrow channel running straight into misty distance between two walls of mangrove trees at dawn
    01Channel, first hour. Kuala Sepetang, Perak, 2023.Made from the bow of the sampan with the engine off, drifting on the last of the ebb.
  2. A dense cage of grey mangrove roots rising out of smooth wet mud at low tide
    02Roots at low water. Matang, Perak, 2023.
  3. A long wooden jetty on stilts crossing silver mudflats at dawn, one tiny figure walking along it
    03Jetty, 06:52. Kuala Gula, Perak, 2024.The figure is a cockle collector going out to his boat. He walked the whole jetty in under four minutes.
  4. A single small mangrove tree standing in still water, surrounded by pale mist
    04Seedling. Matang, Perak, 2024.
  5. Weathered wooden stilt houses and moored boats reflected in a mangrove river at dawn
    05Stilt houses across the river. Kuala Sepetang, Perak, 2023.
  6. Branching silver water channels cutting through grey mud at low tide, a row of mangrove seedlings
    06Ebb channels. Kuala Gula, Perak, 2024.

Notes on the series

The mangroves between Kuala Sepetang and Kuala Gula cover about forty thousand hectares, and twice a day most of it disappears. I went out on the falling tide, in a borrowed sampan with an outboard I was not allowed to use before six, and stayed until the mist lifted. On most mornings that was half past seven.

Nothing here holds still for long. The channels empty and fill, the roots stand up out of the mud and sink again, and the light changes colour every four minutes. I worked with one lens and a tripod set low, so that the horizon sits in the same place in every frame and the tide is the only thing that moves between them.

The series was made over fourteen mornings in two dry seasons. Every plate is a single exposure on a medium format sensor, with no sky replaced and nothing removed.

Liyana Kassim, Ipoh.

Prints from Tidewater

  • Channel, first hour, 2023Small 5 left, Medium 2 left, Large 1 leftFrom RM 1,450
  • Jetty, 06:52, 2024Small 3 left, Medium sold out, Large sold outFrom RM 1,450

Every other plate in the series can be printed once as a study print, 30 x 40 cm, RM 380. Ask for a study print

Demo only

This button is part of a demo template. Nothing was sent, booked or charged, and there is no real business behind this page.

Want a page like this for your business?

QR code: Darus Ishak, Ruji Labs contact cardScan or tap to get the contact card of Darus Ishak, Ruji Labs.Open contact card ↗